“When a sixteen-year-old girl from the Ukraine, a single mother from Russia, an orphaned seventeen-year-old girl from Romania, and a twelve-year-old American tourist become the victims of international sex slave traffickers, a specialized team of Immigration and Customs Enforcement (ICE) struggles to expose the worldwide network that has enslaved them. ICE agent Kate Morozov knows the horror of sexual exploitation first-hand and is dedicated to dismantling the network and bringing the ring’s kingpin to justice. From a torture chamber in Queens to the flesh-peddlers of Russia, the hunt is on as the fates of relentless ICE agents (Mira Sorvino and Donald Sutherland), the ruthless traffickers and their defenseless victims collide in a powder keg conspiracy of global proportions.” – Human Trafficking (2005)
Okay, honestly, I had thought this movie was going to be mind numbing and way off base but surprisingly it was really good. A bit graphic at times but not bad. Human Trafficking is a bold and ambitious project and the cable network Lifetime is to be congratulated for exposing a part of society most people would prefer to ignore, and doing so in a mature, serious fashion. Originally designed as a mini-series, it is presented here in its entirety, with convenient breaks. This is helpful, at three hours it may be too much for the average viewer to assimilate all at once. Even the jaded appetite will find Human Trafficking upsetting.
One must wonder about those who claim ignorance of sexual slavery as it is practiced around the world. This appalling behavior is more than merely time-honored; it is codified and woven into the fabric of society itself. What is surprising, and what Human Trafficking gets right, is that sexual slavery is alive, well, and lucrative. Like drugs and weapons, a filthy business like this can only exist where there is powerful market demand, and that demand is chillingly close to home.
Human Trafficking benefits from good directing, (Christian Duguay), and some splendid performances. Leading the way is the lovable Scot from The Full Monty, (Robert Carlyle), who plays the Eastern block criminal mastermind behind the sophisticated sexual gulag. His accent is impeccable, and his character well realized. Sergei Karpovich is no Cold War ham-fisted brute. He is smart, computer-savvy, and thoroughly ruthless.
After Carlyle, the showcase performance here belongs to Isabella Blais, (Helena), one of the women whose descent into sexual slavery is tracked. Helena is certainly not stupid, but she is vulnerable, and we watch in horror as one bad decision lures her into an unimaginable nightmare. We also see some of the ingenious techniques used to ensure cooperation. This is where Human Trafficking really shines. It’s never sensational, licentious, or titillating. On the contrary, it exposes the complete banality of evil, the disturbing ordinariness of it in flat details that do not manipulate emotions.
There are two problems with Human Trafficking. At times it gets preachy, explaining the story rather than telling it. (With subject matter this explosive, that is completely unnecessary.) The other is the casting of Mira Sorvino. Sorvino is a fine actress, (her performance here is fine), but she is simply too pretty and adorable for the part. One scene attempts to show why she would take on the hideous assignment of catching these vermin, but it’s not enough. Making her character female was an interesting decision, but to work, it should have been someone with more edge and less curve. Donald Sutherland, as her boss, excels.
Anyway, you should watch this.
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